The Foundation is committed to developing and managing the legacy of Bernat Klein textile designer, artist, colourist, and industrialist (1922 - 2014) through the advancement of his creative and cultural heritage and supported by a Board of Trustees with the Klein Family.
Bernat Klein’s legacy is founded on his ideas and vision about design, colour and creative practice.
Living and working in the Scottish Borders from 1951 until 2014, Klein’s life-long interest in ideas and innovation is expressed through his legacy that represents his individual and substantive contribution to design and the visual arts. Klein also commissioned two of Scotland’s foremost modernist buildings – High Sunderland (1957) and the Bernat Klein Studio (1972) from architect Peter Womersley.
Alison Harley has worked in senior roles in art and design higher education in Scotland and internationally. In 2012 she interviewed Bernat Klein about his work as a designer, artist and industrialist, at his home High Sunderland. Since 2016 Alison has worked as an independent researcher and practitioner developing her particular interest in Bernat Klein, which has been shared through publication and exhibition. She is a founding trustee of the Bernat Klein Foundation.
Maggie Marr has worked in textiles and business development across Scotland’s public and private sectors. These have included initiatives with local councils for regional regeneration, as well as educational and business development in Further and Higher Education in Scotland, which includes Shetland, and The Outer Hebrides. Maggie’s specialist expertise is currently focused on business improvement for the textile industries in Scotland and Ireland. She is a founding trustee of the Bernat Klein Foundation
Jonathan Klein (only son of Bernat and Margaret Klein) has spent his working life as an academic, and is currently an Associate Professor working in the field of Management Science at the Southampton Business School (University of Southampton). Jonathan has published extensively in academic journals, and his research focuses on particular interests in problem structuring and solving, and their role in healthcare management. He is also a keen musician and singer-songwriter.
Jana Hutt has worked in skills, quality and business development at senior levels with organisations such as Highland and Islands Enterprise, and as an independent auditor for government training schemes. She has also contributed to the Scottish Children’s Panel and as a Board Member for UHI Moray College. As Chair of the Knockando Woolmill Trust Jana led a major restoration project with trustees to raise £3.55 million, establishing a heritage-based commercial company in 2009.
Lisa Mason is Assistant Curator in Art & Design at National Museums Scotland and has worked on the creation of four new Art & Design galleries, funded by the Heritage Lottery and opened in 2016. Detailed knowledge of Bernat Klein was developed through the Clothworkers Foundation project, which funded the archiving of his collection of some 4000 objects. Lisa studied textile design at Duncan of Jordanstone College of Art & Design, University of Dundee, followed by History of Art, University of Edinburgh.
Lynsey Calder has worked as a textile designer/maker, researcher, and educator. She has published in practice-based research on a range of topics including, Optical Patterns; The Perception of Body Shape; and 3-Dimensional Colour-changing Textiles for Costume. Lynsey studied Printed Textile Design in the School of Textiles and Design at Heriot-Watt University, Scottish Borders Campus, and holds a PhD in ‘Fashion and Perception’, also from Heriot-Watt University. Currently Lynsey is the Technical Team Leader for Fashion & Textiles at Glasgow School of Art, as well as the Print & Dye Technician supporting staff and students across all areas of printed and dyed textiles.
Patron Mary Schoeser
Mary Schoeser has written a diverse set of publications (26 books, over 50 essays in books and over 120 shorter pieces), which include World Textiles: A concise history (T&H: 2003), Silk (Yale University Press, 2007), Sanderson: The Essence of English Decoration (T&H: 2010) and Textiles: The art of mankind (Thames & Hudson, 2012 and 2013). In the 1980s she was the Archivist for Warner & Sons, and since 1991 she has acted as a consultant archivist to numerous enterprises including Collier Campbell, Laura Ashley, Liberty of London, MYB Textiles, Sanderson, Scottish Borders Studio, and Watts & Co, expanding her knowledge of manufacturers and understanding of textile and wallpaper production itself. This has facilitated restoration work with English Heritage, The National Trust, and other historic property owners (most recently Clivedon’s electric canoe!) and also informed 36 curatorial projects, from the permanent Elizabeth Hoare Embroidery Gallery at Liverpool Cathedral (opened 1992) and, more recently, Off the Wall: American Art to Wear at the Philadelphia Museum of Art (2019-2020), co-curated with Dilys Blum, with an accompanying Yale publication. Extensive academic experience includes a research position at Central Saint Martins (2000-2011), and in 2016 Mary received an Honorary Senior Research Fellowship from the V&A Museum, focused on 19th century silks in Spitalfields and the East of England. President of the Textile Society, she is also Patron of the Bernat Klein Foundation and School of Textiles, Coggeshall.
Wendy has worked within the Scottish textile industry since first graduating from Glasgow School of Art in printed and woven textile design in 2009. She is an advocate of design thinking and collaboration between traditional businesses and creative practice. With over ten years' experience in creating marketing strategies, Wendy launched her consultancy practice Concept Counsel in 2020. She is currently working on a range of ambitious projects that transform creative vision into tangible ideas and plans, with a particular focus on customer experience and brand awareness.
Mary Schoeser MA FRSA
The formation of the Bernat Klein Foundation has been generously supported by The William Grant Foundation.